Chris Rutkowski, Composer/Pianist

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Here are all three movements of the Sax Concerto gathered together in one place.
Concerto for Alto Saxophone and Wind Ensemble
The Indiana University Wind Ensemble, Stephen Pratt, conductor
Thomas Walsh, alto saxophone
1. Rage
2. La Luna d’Oro
3. NOLA

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Step 5: Attempt to remove the boominess of the bass drum in the original audio.
The challenge: The audio was mixed down to stereo, and thus has all the instruments on it, not just the drums. Therefore, removing the frequencies where the boom occurs in [...]

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Step 4: To add virtual instrument tracks to the pure audio in movements 2 and 3.
The Challenges:
Importing another Standard MIDI File from the score in Finale brings along with it the midi tempo commands from the Finale playback, thus nullifying all the hard work done [...]

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Step 3: To add a virtual (synthesized) trombone part to the pure audio file.
So far, I’ve striped the audio file with a bar and beat timeline, that was not present in the original recording. As there is rubato and natural fluctuation of the beat [...]

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Step 2: Create a bar and beat timeline for the audio of each movement of the Concerto.
The Problem: Audio files in a DAW are displayed as waveforms in a timeline, which shows where audio events happen in time. If the audio is recorded [...]

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Step 1: Assembling the best takes of the Concerto recording into the best compilation possible. Basically, this involves cutting the takes up into the best performances of any given passage, then gluing them together into a seamless whole. The length of the segments varies greatly, [...]

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I’ve been involved in what I’ve called “Artist-Driven Technology” for several years. (Here’s a link to the earliest post, and here’s one to the whole category.) I’ve begun a project that is a perfect example of the technological process merging seamlessly with the artistic one, so I thought I’d document some [...]

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